About The Film

The Plot
Li tells the story of a future where Earth's remaining population lives content within the ergonomic, medicated, and peaceful confines of Link. Li, the titular protagonist, faithfully serves his duty to the city as a Programmer during the day but come night his sleep is tormented by nightmares of a half-forgotten past. When a mysterious woman is brought into the Programming Bay for mental reconstruction Li is struck by a strange sense of familiarity and begins a tumultuous journey of discovery that will challenge Link itself.

Making the Film
Live action production was spearheaded by Digital Hydra using a stereoscopic beam splitter rig and dual RED One cameras at DePaul University's East Jackson soundstage (as well as various locations around the Chicago area). The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film.

During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow.


Credits
Screenplay: Ross Heran
Director: Ross Heran
Producers: Patrick Wimp, Hamzah Jamjoom, Jacquelyn Chenger

VFX Supervisors: Hamzah Jamjoom, Tim Little

Sunday, June 20, 2010

POV Running Test with Motion Capture

One of the major scenes in Li is a reoccurring dream sequence where the main character runs across the rooftops of the city, chasing a girl who he never catches. Because the scene needs to have a dynamic POV perspective, and because the dual RED camera stereo rig is much too large to run around with, the scene will be built entirely in the computer. This crude render sequence was the fruit of my idea to create the POV camera and character animation at the same time in a motion capture studio. The position and rotation of the actor's head can be used to drive a stereo rig in Maya, granting a very realistic POV shot. For this test my actor simply jogged in place but eventually a treadmill could be utilized to capture a full fledged run.

Motion Capture Director / TD / Editor: Tim Little
Motion Capture Performance: Ethan Faure
Motion Capture PA: Peter Worwag